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DirectorSuzanne Hall
Musical Director - Peter Theobald

 

By William Shakespeare

 

Adapted by Suzanne Hall

Original Music by Peter Theobald

Cast

Theseus - James Butler

Egeus - Stephen Gleed

Lysander - Barry McGonagle

Demetrius - Dan Hickson 

Quince - Max Bullough

Bottom - Peter Barber

Flute - Simon Meanwell Ralph

Snout (Wall) - Liz Petley Jones

Snug (Lion) - Alan Morgan

Starveling (Moon) - Denise Truscott

Hippolyta - Kimberley James

Hermia - Emily Welch

Helena - Lucy Whiteman

Titania - Katie Hickson

Oberon - Adrian Hickford

Puck - Peter Lucas

Peaseblossom - Izzy Wylde

Cobweb - Emma Jane Smith

Moth - Kimberley James

Mustard Seed - Clare Kerry

 

Chorus

Servants/Fairy Folk

Lorraine Morgan, Amy Stewart, Jan Baerselman, Anne McDonald, Penny Bullough, Heather Reid

 

Servants/Oberon's Woodlanders

Hamish McDonald, Louise Hodson, Emily Petley Jones, Alan Matheson, James Butler, Stephen Gleed

 

Children

Charlie Briggs, Isobel Wannell, Lilly Wannell, Amelia Wannell, Meriel Jones, Daisy Golds, Ruby Hall, Annabel Readwin, Alice Walton, Amalie Smith 

Charity Collection
Parkinson’s Society
Awards and Nominations
Nominations of Daily Echo Curtain Call awards for:
Best Actress in a Shakespeare Play - Lucy Whiteman
Best Lighting, Sound and Effects - Beki Gregory
Best Musical Director - Peter Theobald

REVIEWS

Daily Echo

NOTHING ill met by moonlight or otherwise in this flawless interpretation of the Shakespeare classic by WMOS.

Perfectly matching a new musical score to the text of the play, Suzanne Hall and Peter Theobald created something magical in freshness and style, setting the piece away from togas and Athenian arches. More Hobbiton alongside "Green Man" mysticism, beautiful idealistic dandelions hung over a multi layered set, every inch expertly used by a deliciously dressed, lit, professional and engaging cast.

Enhanced by Theobald's Regency reflecting score, the direction bubbled in humour and subtlety, never distracting from the main themes of the original. The Mechanicals pumped out every comic nuance to hilarious effect in the play within play sequence whilst the four lovers gymnastically threw themselves into their roles with energetic aplomb. Peter Lucas as Puck belied his 11 years with assured stage presence, whilst Katie Hickson majestic as Titania and Adrian Hickson, an impish Oberon, presided over perfection in entertainment all round.

David Putley

Curtain Up South

 

In the year of Shakespeare’s 400th anniversary it seems entirely fitting that Winchester Musicals and Opera Society should premier their new musical production of Shakespeare’s comedy A Midsummer Night’s Dream, directed by Suzanne Hall. The original music, composed by WMOS’ very own musical director Peter Theobald, has folk at it’s heart and really played to the strengths of the company. Under the capable baton of Theobald the chorus singing was excellent. Particularly pleasing was the female chorus of fairies, the delicate nature of the singing and balance of voices was sublime, quite unusual to hear ensemble singing of this caliber in an amateur production. The ensemble scenes were bustling, beautifully choreographed and every face was engaged throughout, although occasionally some members of the chorus had a tendency to chew the scenery somewhat.

 

Barry McGonagle, Emily Welch, Dan Hickson and Lucy Whiteman made up the comic quartet of spellbound lovers Lysander, Hermia, Demetrius and Helena. Their delivery was effortless and devilishly funny. The dynamic and comic timing of ‘the players’  was excellent and was executed with real gusto, they had the audience howling at their performance of Pyramus and Thisbe. It must be said however, the show really does belong to Peter Lucas as Puck. Not only does he light up the stage with his presence, he sings with confidence and accuracy, executing difficult harmonies with other performers. At such a young age, this young man has a very bright future ahead of him in the performing arts with a beautiful, pure voice and a maturity beyond his years with the delivery of the fiendishly difficult passages of text.

This production is perfect for all the family, packed with great performances and sure to put a smile on your face. Brava Tutti! Plays until Saturday at the Theatre Royal Winchester.

Elise Fairley

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